AMP. Always Electric.

Volume 2, No. 1

The Creases of Subsistence

Through the wide, thick glass windows
of Cafés Verlet, in-between page numbers
ninety nine and hundred of Sigmund
Freud's "The Interpretation of Dreams"
there seemed to me there was nothing
which was real; except revisions of rain.
The recoiled traffic jams below a bridge
of artificial streetlamps hummed and

The fingers of rainfall sharpened, thinned and
slanted northwesterly. Road divisions of
cobblestone paths adorned with pink flower
petals that layer as randomness created
roadside art. It seemed these growing distances
between footpaths were widening. Water passed
streets have intoxicant variants: the hearth of a
furnace where bread bakes and the increasing
fever in my body; measured in their temperatures.

Sneha Subramanian Kanta

Sneha Subramanian Kanta finds credence in non-linear forms of looking. Avant-garde art, untold stories and tales of refugees are matters that resonate. Her work is forthcoming in Fallujah Magazine, ZOOPOETICS, Serendipity, Erstwhile Magazine, the first print anthology of Peacock Journal and elsewhere. A recipient of the prestigious GREAT scholarship, she is pursuing her second postgraduate degree in literature in the United Kingdom. She has lectured undergraduate students. When not taking ecopoetry workshops for marine biology students, she reads Hemingway and goes for long walks. Write to her at